"Besides being one of the best uses of the Havana’s black box space in recent memory, there is a tension that is immediately created between actor and audience with set designer Carolyn Rapanos’s in-the-round set. Evocative of a boxing ring, Frayne and Rapanos edge us to the ropes, but keep us just far enough away that we can see almost every blow." - Review for Oleanna by Mark Robins (2014)